Babylon functions as a symbolic name throughout Revelation, drawing on the original Babylon's legacy as Israel's oppressor and the epitome of human arrogance (the Tower of Babel, the Babylonian exile). In Revelation 17, Babylon is a woman riding a scarlet beast, 'drunk with the blood of the saints,' sitting on 'seven hills' — a detail most scholars connect to first-century Rome. She is adorned in luxury and holds a golden cup full of abominations, representing the seductive power of wealth and cultural dominance. Revelation 18 describes her catastrophic fall in language echoing the Old Testament prophets' oracles against historical Babylon (Isaiah 13, Jeremiah 50-51). The merchants of the earth weep — not for Babylon herself but for their lost profits. God's people are commanded to 'come out of her' (18:4), separating themselves from complicity in her sins. Whether Babylon represents Rome specifically, a future political-religious system, or the enduring pattern of civilizations that trade justice for luxury, the message is pointed: every empire that sets itself against God will fall, and the tears shed will be for lost wealth, not lost souls.